The London Philharmonic Orchestra's principal harpist, Rachel Masters with her fabulous singing dog :-)
It's been a pretty stressful couple of years, if you have been one of the unlucky harpists playing Russian Roulette with your spare harp strings. That sinking feeling of knowing you have a full spare set in your bag when you are on a gig, but if you happen to have a string that breaks and you go to put the replacement string on.... will it work or will it break as soon as you put it on?
I first blogged about the harp string saga nearly a year and half ago, although I've been experiencing it for much longer.
I think the thing that annoys me the most is when I see posts on facebook now from harpists who think they are just unlucky to have strings which keep breaking and that it is just them, and not a manufacturing fault.
I've always used the same make of string and when my 1st and 2nd octaves started breaking, I too thought it was just me and would be completely stressed out when I needed to replace a string before a gig and the replacement string just kept breaking as soon as I put it on. To the point where I no longer had any spare of the broken string left and had to use the nearest string I had spare - 1st octave G string on a 1st octave A etc.
I must have spent loads of money over the past few years on strings which were completely useless until I realised it wasn't me.
Then I started sending them back to the shop I had bought them from, who would send me a replacement free of charge. Then when the replacement came, the same thing would happen, it would constantly break and I'd send that string back. Over and over.
The lack of a simple stock control sticker on the individual string packet so any "dodgy batches" can be identified by whoever is re-selling the string seems to me quite astonishing.
Whilst I completely sympathise with the problems of the manufacturers, and would always normally use their strings, the fact that it is the harpists who have bought the strings that have to then play Russian roulette is really unfair. If you are a professional gigging musician and you don't have the spare strings for your instrument, it makes your life kind of tricky to say the least.
So after resorting to putting nylon strings on I had a light bulb moment, WHY NOT TRY A DIFFERENT MAKE OF STRING!
With Pirastro gut being out of my price league, I started using Camac gut and have been using them for over 6 months now and... it's been absolutely fine. There isn't a difference in thickness and they have been no problems having a mix of strings on my harps. No intonation problems at all. No difference in sound between the strings. The Camac do 'feel' a bit different, but nothing that is off putting.
The only downside to the Camac strings is that they are a bit more expensive and that they take a bit longer to get to settle and stay in tune, but once they are settled in they are fine - and they don't break as soon as you put them on.
Which to my mind is what you want when you put on a string from a new packet that you have paid for.
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Lauren Scott is a harpist & composer and has been blogging for over 10 years.
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