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For the past few years the Manchester based contemporary music group, Psappha, has run a scheme for composers to write a new piece for a specific instrument or group of instruments which is workshopped with a performer from Psappha over a six month period and then recorded. Called "Composing for..." the 2019 scheme has involved new works for Eastern European Clarinets, Piano and Percussion, Solo Bassoon and Solo Harp.
Six composers, who are all at an early stage of their careers are selected for each scheme by Psappha and the overall project is supported by the Arts Council England; Garfield Weston Foundation; Idlewild Trust; PRS Foundation Talent Development Partner scheme; Radcliffe Trust; and RVW Trust
It has been a great experience to have been involved with this project and I've very much enjoyed the journey working with the composers on all of these six new pieces for solo harp.
Getting everything packed for the recording session including 3 harps, various effects pedals, my amp, lever harp stand, spare strings for 3 harps (only 1 string broke in the session), card, coils & paperclips for the prepared harp piece, assorted plectrums, iPad and page turning pedal, lots of different cables and then (most importantly) industrial quantities of fresh coffee and chocolate!
Psappha - Composing for Harp Videos
tangible/intimate/half-life by Joss Smith
PREPARED PEDAL HARP More about Joss HERE
Harp-Tronics by Daniel Ehrlich
LEVER HARP WITH EFFECTS PEDALS More about Daniel HERE
Glass Cathedrals by Grace-Evangeline Mason
PEDAL HARP More about Grace-Evangeline HERE
retina by David Nunn
PEDAL HARP (utilising quarter tones) More about David HERE
Distant Dances by Joseph Howard
PEDAL HARP More about Joseph HERE
Splitting Paint by Carmel Smickersgill
LEVER HARP WITH LIVE ELECTRONICS More about Carmel HERE
Lauren Scott is a harpist & composer and has been blogging on Harpyness for over 10 years.
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